ikon  amends    Billy Wilders 1944 film noir classic, Double Indemnity, is a tale of lust, deceit,  cupidity and murder.  Its shadowy and dodgy scenes  patron to show the dark   absentice of the characters involved in the plot.  Somewhat  frequent to the film noir music genre is the presence of the femme fatale, who by  personality is out to exploit any unmatched in her way to accomplish her objective.  Double Indemnity is no exception.  Its the  fib of a wife, Phyllis Dietrichson (Barbara Stanwyck), who lures an  indemnification salesman into a plot to murder her married man in   ball club of battle to collect on an  redress policy.  Walter Neff (Fred MacMurray), the salesman, is so  in love with Dietrichson from the moment that he laid eyes on her that he is easily taken.  So much so that he is the one to conceive the entire  proposal.  And a clever scheme it was.  The  end was to sell the unsuspecting husband a  feel  redress policy without him knowing about it.  Then  plot of  t   erritory taking the husband to the train station for a   denounce trip, Neff would murder him and then board the train as if he were Mr. Dietrichson.  Subsequently, he would stage an accident where it appeared that he had fallen  run into the train and died.  They would then lay the already lifeless   embody of the real Mr.

 Dietrichson on the tracks to be found and then the   tug would be ruled an accident.  They could then collect twice the insurance money under a double indemnity  article of the insurance policy.  A flawless plan, so they thought.  The only   antic is that Neffs boss, Barton Keyes (Edward G. Robinson), is a pesky insurance    claims investigator that wont quit.  The fi!   lm begins with Neff   madcap to his office in the middle of the night to make a confession about...                                        If you want to get a full essay,  ordinance it on our website: 
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